Another post from the Dept. of Post-Collapse Studies.
The icicle doesn’t fall far from the eave.*
Click on the photo below to read the beautiful accompanying blog post.
* If you missed it last year, please visit my post about my love of building snow houses as a child.
For those interested in myth, metaphor, and meaning, above and below are links to the movie Mythic Journeys I mentioned in my last post. The stop motion “Bone Orchard” part of the film was screened at the event I just attended; to see the rest, I purchased the 2 DVD set. The imagery is beautiful, and the words are inspiring. The “tree girl” pictured on these banners was based on the work of Virginia Lee, artist Alan Lee’s daughter. And the “Bone Orchard” segments of the film are based on puppets crafted by Brian and Wendy Froud.
Today my daughter and I returned from another realm, where we spent a weekend immersed in myth, story, music, and art.
Here are photos taken just before the Good Faeries Ball (I recycled my Halloween costume for this):
And just before the Bad Fairies Ball:
We also attended panels of writers and artists, including Brian and Wendy Froud, Jane Yolen, and others.
Of particular interest to me was the session by Whitney and Steven Boe on their film Mythic Journeys, about the importance of myth, enchantment, and spirituality for our lives.
Brian and Wendy Froud, Whitney and Steven Boe
A handmade bench provided a focal point. It is really a headboard but framed a bench for this event.
It was a special weekend.
We carved our pumpkins last night.
Below is the pumpkin I carved.
The Factionist/via Flickr
Today on an NPR blog I read about a symposium (at Concordia College in Minnesota) regarding “re-enchantment.” The posting caught my eye because “re-enchantment” is one of my forms of sacred play.
From the College’s website:
Awakening to Wonder: Re-enchantment in a Post-Secular Age
The symposium will explore the role of wonder in today’s world by asking such questions as:
- What role does wonder play in popular culture, including literature, movies, and games, and what is the significance of the current attention to wonder and mystery in these areas?
- What place does wonder have within the intellectual vocation of making sense of the world?
- Can reason and wonder coexist, or are they in serious conflict with one another?
- How and why is the place of religion changing in the contemporary world?
- Do such changes in religion involve changes in our sense of the world as a locus of wonder?
- What are the experiences writers in a wide range of fields of study have in mind when they speak of re-enchantment?
- Do shared experiences of wonder represent a common ground where people of different faiths, cultures, and academic disciplines might meet, understand and appreciate each other, or explore solutions to problems they have in common?
How I wish I could have attended! A post-secular age. The rebirth of wonder.
At this time of year, when the green melts away from the tree leaves, leaving on display the reds and golds; when the air has that delicious crispness in the morning; when the pace of summer activities has slowed; when I feel myself beginning to be drawn inward ~ the story-spinning part of me begins to awaken, and of course it whispers of inner and far-out worlds. My fingers itch to create masks and otherworldly garments, all in the service of re-enchantment, at a time on the wheel of the year when the earth appears to be falling into a doze.
Awaken! We need new, more expansive ways of understanding the world and our places within it. May our common ground in experiences of wonder lead to many stories, works of imagination, and the enchantment that will empower our creative connections to this amazing planet, and with one another.
Today I returned from the conference on our energy transition, and this evening I added the book below to the Recommending Reading list on this blog.
There is much that I wish to write about, but it will have to wait until I’m settled in and caught up.
The Evolutionary Epic: Science’s Story and Humanity’s Response, edited by Cheryl Genet, Russell Genet, Brian Swimme, Linda Palmer and Linda Gibler